Set Strat
Set Strat
More Guitar Tuning Tips – Know How to Keep the Guitar Nut Running Smooth?
Most guitar tuning problems on a Stratocaster, arise from the old style whammy bar or “vibrato bar” as it’s correctly called. And altho’ a wonderful, fun, fantastic, and great invention, does have it’s shortcomings. Newer Strat designs and double-locking systems have mostly overcome these annoying side-effects, but they do have a very different feel to them.
But if you set an old one up properly, and keep it well lubricated (use sewing machine oil), you can reduce your guitar tuning vibrato-bar problems to a minimum.
It’s well worth your while learning all you can about your guitar and music gear, as regards keeping it serviced and running smoothly. If you don’t do it yourself, it means taking it to a repair guy or someone else, every time the slightest thing goes astray. I have a mountain of books like this for reference and it’s another interesting side of playing. Guitar mags such as the excellent and long running Guitar Player, or try Guitar One Magazine, Guitar Amps and so on are also a mine of information. I’m sure I’m not alone there.
An important point to remember when it comes to choosing strings is don’t “Cheat on the Cheese”. This too is a major source of Guitar Tuning problems even nightmares! Try a few different brand types out, and only buy from recognized and reputable guitar-string makers. Different players, styles and guitars have different needs. Always go with a respected brandname such as “Ernie Ball” or “Fender”.
I like 9’s on a Strat and something heavier on an electric guitar with no whammy bar. You can experiment with gauges yourself, find one you like and stick to it, especially on a guitar with an old style hand-vibrato on it, ok whammy-bar. If you intend to play slide on electric or acoustic guitars, use heavy gauge for the best tone and tuning. In general the heavier the string the heavier the tone, but they are harder to play and control. Try bending a g string on a heavy set and you’ll see what I mean. Strings are your guitars lifeblood, and as mentioned elsewhere, no Lee Chang or Red Dragon 50c Specials!
Sometimes you might hear a pinging sound when you use the whammy. This is caused by stored tension in the Nut being released as you dip the bar, and then bam, your out of tune. If it’s an emergency, i.e. it happens in the middle of a song during a gig, try pulling the bar up a bit and depending on how far you’ve slipped out of tune, this might just get you back in. At least to the end of the song. Hallelujah…
To solve this annoying and interfering nuisance, some good ol’ lubrication is needed here. The best thing to lubricate the nut-end of things, is graphite. An easy way to do this, is to use an ordinary pencil, and literally write onto the nut underneath where the strings slot in (lifting it up first, loosen if necessary), and give it a coating of lead. Then the strings just glide along the grooves instead of sticking there until you “ping” and release them.
This simple little trick works wonders for Strat guitar tuning dilemmas. Depending on your style and how often you gig, once a week of this treatment should be fine. Vaseline is also recommended for this task but I think it’s a bit messy and more suitable to nappy rash 
.
Remember Guitar Tuning is half the battle as they say, so it’s seriously worth getting right at an early stage. Good or excellent guitar tuning skills, will automatically improve your musical ear and this also helps you play better. There’s nothing worse or more unprofessional than a “lazy ear” player, who flies around on the guitar no problem, but the guitar is constantly out of tune. So pay attention to your strings and look after them and you will be repaid back a hundred times.
Next we’re under the bridge and checking out the nut, plus we’ll be having a look at the all important guitar-neck massage.
About the Author
David O’Toole is a guitar player, music fan, and musician from Ireland. He is the webmaster at the UniGTR+ Center and editor at the BellaOnline Musician Site
A keen player and experienced guitar teacher, he is also the author of the popular standard, lefthand, reverse guitar, and piano / keyboard series of
Basic Chord Families — Not just another random selection of 1000s of chords, but the key to fast learning and playing 1000s of songs with under 60 chords!
how do you set action low on squier strat?
hi i would like to have more of a metal tone and speed, i cant tell how to change the action to set it lower, do i move the things toward the neck or away, thanks
Neither. What you are looking at will adjust intonation. Not a good thing to mess with. Strings will go out of tune at different points on the neck. Action is set by lowering the entire bridge. There should be screws on each end of the bridge. Lower those to lower the bridge. THere are a few other things that will need to be checked. Neck adjustment in one. The nut may need filing. Frets can also be filed. You might be better off to just take it to a good shop and pay someone to set it up. I usually get about $50 to do a basic set up. Might be worth it.
Set Strat
Set up your strat for best tremolo use part 1 – www.frudua.com
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WD PARTS SS077BK Replacement Knobs for Strat Style Guitars $3.23 WD PARTS SS077BK Strat Knob Set – Black |
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The Strat Pack: Live in Concert – Dolby $13.99 In 1954, Leo Fender gave the electric guitar a new sound and look that fully set it apart from its acoustic counterpart with the invention of the Fender Stratocaster, a solid-body electric axe with a revolutionary three-way pickup system and a modern, streamlined design that was like nothing else on the market at the time. Early rock ‘n’ rollers such as Buddy Holly and Dick Dale quickly embraced the Stratocaster, and since then it has become the guitar of choice for legendary players such as Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Keith Richards, Bonnie Raitt, Mark Knopfler, and dozens of others. The Strat Pack: Live in Concert documents a special concert held at London’s Wembley Arena in the fall of 2004, in which a stellar lineup of great rock guitarists came out to say “Happy 50th Birthday” to the Stratocaster. Performers include Joe Walsh, Ron Wood, David Gilmour, Brian May, Albert Lee, Hank Marvin, and many more. ~ Mark Deming, Rovi |
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Squier by Fender Affinity Strat HSS Electric Guitar Set $349.99 This set features a great-sounding, sweet-looking and easy-playing Squier Affinity Strat HSS guitar with a humbucking bridge pickup; plug it right into the included 15-watt G-DEC Junior amp with loads of amp types, effects, backing loops, auxiliary input, headphone jack and many other cool features.Accessories include: a guitar strap, gig bag, guitar cable and pick sampler—everything you need to Stop Dreaming and Start Playing!Model Name Stop Dreaming, Start Playing™ Set: Affinity Strat® HSS with G-DEC® Junior AmpModel Number 030-1620-(Color#) USASeries Affinity SeriesColors (006) Black,(025) Metallic Red,(095) Metallic Blue,(Finish: Polyurethane)Body AgathisNeck Maple, C-Shape,(Finish: Polyurethane)Fingerboard Rosewood, 9.5″ Radius (241 mm)No. of Frets 22 Medium JumboPickups 2 Single-Coil Pickups (Neck/Mid),1 Humbucking Pickup (Bridge)Controls Master Volume,Tone 1. (Neck Pickup),Tone 2. (Middle Pickup)Pickup Switching 5-Position Blade:Position 1. Bridge PickupPosition 2. Bridge and Middle PickupPosition 3. Middle PickupPosition 4. Middle and Neck PickupPosition 5. Neck PickupBridge Synchronous TremoloMachine Heads Standard Die-Cast TunersHardware ChromePickguard 1-Ply WhiteScale Length 25.5″ (648 mm)Width at Nut 1.61″ (40.9 mm)Unique Features White Dot Position InlaysG-DEC® Junior Features:• Built-in E-tuner with LED Indicator.• 15 watts, 8″ Special Design speaker.• 16 amp types recreate the tones needed to play any style of music.• 15 special effects presets.• 15 drum/bass/accompaniment loops, including metronome.• Key selector knob allows 14 different keys; “Bass Off” may be selected to allow only the drum sounds to be activated.• Tempo knob allows settings from 30 to 240 bpm.• Separate controls for guitar volume and backing loop volume• MIDI connector allows streaming files from a computer and future software upgrades.• 1/8″ AUX in allows jam-along capability with external CD or mp3 player.• Headphone jack doubles as line output to recording gear or further amplification.Strings Fender Super 250L, (.009 to .042) Nickel Plated Steel, P/N 073-0250-003Accessories The Set Includes:Squier Fat Strat p/n 031-0700,G-DEC® Junior Guitar Amplifier,Strap,Gig Bag,Cable,Pick SamplerIntroduced 1/2007 |
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The Strat Pack: Live in Concert – Dolby Dts $16.99 In 1954, Leo Fender gave the electric guitar a new sound and look that fully set it apart from its acoustic counterpart with the invention of the Fender Stratocaster, a solid-body electric axe with a revolutionary three-way pickup system and a modern, streamlined design that was like nothing else on the market at the time. Early rock ‘n’ rollers such as Buddy Holly and Dick Dale quickly embraced the Stratocaster, and since then it has become the guitar of choice for legendary players such as Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, Keith Richards, Bonnie Raitt, Mark Knopfler, and dozens of others. The Strat Pack: Live in Concert documents a special concert held at London’s Wembley Arena in the fall of 2004, in which a stellar lineup of great rock guitarists came out to say “Happy 50th Birthday” to the Stratocaster. Performers include Joe Walsh, Ron Wood, David Gilmour, Brian May, Albert Lee, Hank Marvin, and many more. ~ Mark Deming, Rovi |
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Squier by Fender Affinity Strat Special Electric Guitar Pack $249.99 The Squier Stop Dreaming, Start Playing Affinity Strat Special Electric Guitar Pack with Affinity Strat® Special and Fender Frontman 15G Amp.This set features a great-sounding, sweet-looking and easy-playing Squier Affinity Strat Special guitar with three single-coil pickups; plug it right into the included 15-watt, two-channel Fender® Frontman Amp® 15G with auxiliary input and headphone jack.Accessories include: stereo headphones, an instructional DVD, a chromatic tuner, guitar strap, gig bag, guitar cable and pick sampler—everything you need to Stop Dreaming and Start Playing!Model Name Stop Dreaming, Start Playing™ Set: Affinity Strat® Special with Fender Frontman Amp® 15G Model Number 030-1605-(Color#)Series Affinity SeriesColors (006) Black,(025) Metallic Red,(095) Metallic Blue,(Finish: Polyurethane)Body AgathisNeck Maple, C-Shape,(Finish: Polyurethane)Fingerboard Rosewood, 9.5″ Radius (241 mm)No. of Frets 22 Medium JumboPickups 3 Single-Coil PickupsControls Master Volume,Tone 1. (Neck Pickup),Tone 2. (Middle Pickup)Pickup Switching 5-Position Blade:Position 1. Bridge PickupPosition 2. Bridge and Middle PickupPosition 3. Middle PickupPosition 4. Middle and Neck PickupPosition 5. Neck PickupBridge Synchronous TremoloMachine Heads Standard Die-Cast TunersHardware ChromePickguard 1-Ply WhiteScale Length 25.5″ (648 mm)Width at Nut 1.61″ (40.9 mm)Unique Features White Dot Position InlaysStrings Fender Super 250L, (.009 to .042) Nickel Plated Steel, P/N 073-0250-003Accessories The Set Includes:Squier Affinity Strat Special,Fender Frontman Amp 15G Guitar Amplifier,Stereo Headphones,Instructional DVD,Chromatic Tuner,Gig Bag,Cable,Guitar Strap,Pick SamplerIntroduced 4/2007 |
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Res Soc Strat Mob V15 $99.16 Res Soc Strat Mob V15 |
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Squier Stop Dreaming Start Playing Affinity Strat HSS Electric Guitar Package with G-DEC $349.99 This set features a great-sounding, sweet-looking and easy-playing Squier Affinity Strat HSS guitar with a humbucking bridge pickup; plug it right into the included 15-watt G-DEC Junior amp with loads of amp types, effects, backing loops, auxiliary input, headphone jack and many other cool features. Accessories include a guitar strap, gig bag, guitar cable and pick sampler–everything you need to Stop Dreaming and Start Playing! |
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WD PARTS SS200BK 3 Piece Strat Style Black Pickup Cover $5.24 WD PARTS SS200BK Single Coil Pickup Cover – Set of 3 – Black |
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ART & SCIENCE DVD 1 AND DVD 2 FOR STRAT $249 ART & SCIENCE DVD 1 AND DVD 2 FOR STRAT |
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DIDAX DD-25285 4-5 VALUES ACTIVITIES IDEA & STRAT EGIES $27.6 4-5 Values Activities Idea & Strat |
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Squier Bullet Strat – Brown Sunburst $119.99 Our Bullet Strat with tremolo is a simple, affordable and practical guitar designed for beginners and students. |
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Implem National Numer Strat Pupil $36.98 Implem National Numer Strat Pupil by Anne Berger Edition 1 Published in 2000 by David Fulton Publish |
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Pink Floyd – the Black Strat $20.08 Catch a rare inside glimpse of one of the world’’s most revered guitarists, David Gilmour, and his iconic Black Stratocaster. Written by David’’s personal guitar technician and the band’’s chief backline tech since 1974 – the only man to know Pink Floyd’’s equipment better than the band – this expanded edition contains new information as well as many unpublished photographs, recently come to light, that further chart the Black Strat’’s illustrious history. Amending and elaborating on the previous edition, it also continues the story where the last one left off with all the latest live appearances, information, and photographs – including David testing the Fender Black Strat replica models; performances with David Bowie, Jeff Beck, and others; and much more. |
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Squier Affinity Strat Electric Guitar (Maple) $179.99 Affinity Series Strat(R). Fender’s Affinity series electric guitars are straight-ahead, affordable instruments ideal for beginners of all ages. The Affinity Strat has a slightly slimmer body crafted from solid Alder. |
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Squier Affinity Strat Pack – Black $249.99 This guitar pack features a Squier Affinity Strat , 15-watt / two-channel amp, stereo headphones, instructional DVD, chromatic tuner, strap, gig bag, cable and picks. Everything you need to Stop Dreaming and Start Playing! |
Collecting Hall of Fame Vintage Guitars
Over the past couple of years the vintage guitar market has taken a hit here and there but overall has proven to be a sound investment for most. The experts say that when inflation accelerates and the dollar shrinks collectibles prove to be a good place for your money.
You might be asking yourself whether a guitar can really be a good investment. After all, to the untrained eye, most guitars are the same. However, the right guitar can be worth a lot to a collector. Guitars that have been owned by celebrities, or which are rare or unusual, can command very high prices indeed. If you’re worried about getting a return on your money, don’t be. Vintage guitars have consistently performed with more stability than the stock market. There are a number of reasons that collecting vintage guitars is an excellent strategy.
For one, they’re more tangible than a stock or bond. They give you an attractive piece to display, and are fun to collect, too. Guitars also don’t lose value over time. In fact, it’s just the opposite – vintage guitars consistently gain value as they get older, as long as you take the time to keep them in good condition. They’re also usually superior instruments. If you’re a musician as well as an investor, you’ll appreciate the superior action and tone of a real vintage instrument. The most popular vintage guitar with collectors is probably the Gibson Les Paul.
Here is a small example: Let’s say in 1959 you had $100.00 if you were to bury the $100.00 in a coffee can in your back yard or put it in your bank account and let it sit there drawing a couple percent interest inflation would slowly take this $100.00 and if you were to pull it out 50 years later you would find that $100.00 would barely get you a nice dinner for two. However if you would have taken that same $100.00 and gone to your local pawn shop in 1959 and picked up a 1959 Gibson Les Paul guitar and placed it in the closet instead then you could pull it out of your closet today and it could be worth well over six figures.
People are starting to realize how much these instruments from the 50’s 60’s, and 70’s really mean to our culture.
There is a very limited supply and there still seems to be a high demand for these pieces of history which has proved to be a good choice for those who have invested in these instruments, such as the Gibson Les Pauls’ and Fender Telecasters and Stratocaster’s from the same era. (50’s, 60, and 70’s).
A good place to start collecting vintage guitars as an investment would be to focus your research on obtaining guitars from the list below. This list includes that have been inducted into Vintage Guitar Magazine’s Hall of Fame. There are, of course, other lists and other guitars worth investing in, but this is certainly a great place to begin. Two great sites to begin your search for these exquisite instrument are Bob’s Vintage Guitars at http://www.bestguitaronline.com and the Best Guitar Shop at http://www.best-guitar-shop.
In the coming weeks, I will be featuring each of the exquisite instruments in detail. This information will prove useful in your search for vintage guitars that will provide a good return on your investment.
Fender Stratocaster
Inducted in 1990
The VG Hall of Fame was started in 1990 and we had little doubt the Strat would be among the first instruments selected for inclusion by our readers. Three single-coils, a vibrato (usually), and that great contoured, offset-double-cutaway body. Some 50 years after its introduction, it is still one of the most popular designs.
Gibson Les Paul Standard (‘Burst)
Inducted in 1990
Also an easy first-year selection, LP Standard was introduced with a sunburst finish in 1958, and the ‘58 to’60 models are the most valuable vintage solidbody guitars. The Les Paul Standard is a classic no matter what finish it bears.
Martin D-28
Inducted in 1991
The first acoustic in the VG Hall, the D-28 launched Martin’s line of incredible big and loud dreadnoughts in 1931. The D-28 has inspired many guitarists and builders, and remains one of Martin’s most popular models.
Fender Telecaster
Inducted in 1991
Leo Fender’s timeless classic is about as simple as an electric guitar can be, but still has the magic to appeal to guitarists playing just about any style of music. Every guitar player has a Telecaster (or should). Along with the Strat and Les Paul, the Tele is among the most popular designs around.
Fender Precision Bass
Inducted in 1992
The first bass in the VG Hall, and why not, it only forever revolutionized how the bass was played. One of the most innovative ideas in modern music history.
Gibson ES-335
Inducted in 1992
Born during Gibson’s “golden era,” the semi-hollow body ES-335 wedded archtop looks with solidbody performance. Whether it has dot inlays or blocks, it remains one of the coolest designs in guitardom.
D’Angelico New Yorker
Inducted in 1993
George Gruhn said of it in the March 2000 issue of Vintage Guitar, “The New Yorker is significant due to its superb quality and aesthetic artistic appeal,” and is “one of the finest guitars in the history of the instrument.”
Gibson Super 400
Inducted in 1993
Introduced in 1934, with its 18″ body and deluxe features, the Super 400 was the largest and most expensive guitar in the Gibson line. Its influence was soon apparent in the designs of many of the great archtops built by others. Whether the earlier non-cutaway acoustic version or the later double-pickup cutaway, it remains a true work of art.
Gibson L-5
Inducted in 1994
Introduced in 1922 and with a design guided by the legendary Lloyd Loar, the L-5 was the first modern archtop guitar. Initially a non-cutaway acoustic, the L-5 went through many changes, ultimately becoming a single-cutaway with two humbuckers.
Fender Jazz Bass
Inducted in 1995
With its two specially designed pickups, offset waist, and slimmer, narrower neck, the Jazz Bass was intended to be the more tonally diverse, slicker-playing descendant of the Precision. The fact it was available in Fender custom colors (often with matching headstock) makes it all the more cool.
Gibson Flying V
Inducted in 1996
One of the most distinct guitar designs ever created, but it wasn’t a hit when it came out in 1958. Rock and rollers discovered it the late ’60s and the V still makes a unique statement today.
Gretsch 6120
Inducted in 1996
If you play rockabilly, you better have one of these! Introduced as the Chet Atkins Hollowbody in ‘54, the 6120 soon shed the “G” brand and western inlays of the early versions, but never lost the Western Orange finish or the cool twang.
Rickenbacker 360/12
Inducted in 1997
It was good enough for George Harrison and gave us the “jingle jangle” of Roger McGuinn. That’s more than enough for the 360/12 to be the only 12-string in the Vintage Guitar Hall of Fame.
Martin D-45
Inducted in 1998
Originally the fanciest of Martin’s innovative dreadnought line. If you had one of the 96 made in the 1930s and early ’40s, your net worth would be considerably higher than it is now.
Gibson ES-150
Inducted in 1999
Gibson’s first electric Spanish guitar was also the first good-quality electric to hit the market. Favored by Charlie Christian, it housed Gibson’s first pickup, which is still in high demand and considered a classic.
Fender Jazzmaster
Inducted in 2002
Designed and marketed by Leo to cut into Gibson’s jazz market, it supplanted the Strat at the top of Fender’s line in 1958. And though its sound kept it from catching on with jazzers, garage surf bands of the day ate it up. It is one of the most copied solidbody designs of all time.
Gibson SJ-200
Inducted in 2002
A landmark amongst acoustic flattops, the SJ-200 was designed for cowboy guitarist Ray Whitley, and any cowboy worth his salt played one. Its popularity carried over to other genres, and never faded. From its jumbo-sized, sunburst-finished body to its ultra-fancy pickguard, bridge, and headstock, it was considered the consummate flat-top. Just ask Emmylou!
The 1954-’56 Gibson Les Paul Custom
Inducted in 2003
Can you say “Black Beauty?” Though Gibson didn’t give it the name, Les Paul himself chose black as the secondary color for the guitar bearing his moniker. Gibson did, however, use it to experiment with a three-pickup configuration and to introduce its famed Alnico-magnet pickup.
PRS Custom
Inducted in 2004
The first production instrument from a company that has become the guitar’s preeminent modern success story.
Gretsch White Falcon
Inducted in 2004
Like many great guitars, it has evolved through several versions. But it has been a classic since day one, for both it sound and utterly unique aesthetic.
National Tri-Cone series
Inducted in 2005
Its warm, sustaining tone emanates from three aluminum “resonators” designed to help guitarists stand out in big-band or orchestra settings. But, soon after being introduced, Nationals were adopted by Hawiian and blues players. Today, the Tri-Cone produces what many consider the ultimate acoustic blues tone.
Gibson ES-5
Inducted in 2006
One of the first guitars built after Ted McCarty took charge of Gibson, it helped solidify the company’s position as the world’s preeminent electric archtop maker. Today, its late-’50s variant with three PAF humbuckers and Switchmaster tone control is one of the most collectible of its ilk.
Fender Jaguar
Inducted in 2006
Jumping on the speeding Fender bandwagon in 1962, it helped the company stay on top throughout the decade, with its fancy new vibrato tailpiece, sophisticated electronics, and (usually) a funky custom color. If you played instrumental rock at the time, you either had one of these or you were probably ignored!
Gibson J-45
Inducted in 2007
Martin’s “dreadnought” flat-tops were big and dominated the guitar market of the 1930s. By the early ’40s, Gibson knew it needed a big flat-top to compete, and he J-45 (“J” for Jumbo, “45″ indicating its price in dollars) was it. A 16″ round-shoulded flat-top, even in the tough times of its launch, it received a very warm welcome and has ever since remained one of – if not the – most popular Gibson guitars.
Gibson Les Paul Model (Goldtop)
Inducted in 2008
Les Paul tried for years to convince Gibson it needed a solidbody in its line. Finally, Ted McCarty brought a single-cut experiment guitar to Les for his approval. Though its origianl bridge/tailpiece was far from perfect, the instrument served as Gibson’s test bed through the ’50s. Eventually, it reached the pinnacle among guitars and today sits among the top collectibles.
Gibson SG Standard
Inducted in 2009
By 1960, declining sales of the Les Paul model had Gibson looking to revamp the guitar. So the company gave it a radically redesigned, much thinner (and lighter!) body intended to better compete with Fender’s Strat. But the things that made up its very heart and soul – especially its humbucking pickups – remained. Today, the early-’60s version is a true classic.
About the Author
For more information on vintage guitars visit Bob’s Vintage Guitars at http://www.bestguitaronline.com and the Best Guitar Shop
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Set Strat